Sebastiano del Piombo
1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
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Sebastiano del Piombo Portrait of Ferry Carondelet with his Secretaries oil painting


Portrait of Ferry Carondelet with his Secretaries
between 1510(1510) and 1512(1512) Medium English: Oil on panel cyf
Painting ID::  98209 		Sebastiano del Piombo
Portrait of Ferry Carondelet with his Secretaries
between 1510(1510) and 1512(1512) Medium English: Oil on panel cyf
   
   
     
Sebastiano del Piombo Retrato de Ferry Carondelet con sus secretarios oil painting


Retrato de Ferry Carondelet con sus secretarios
between 1510(1510) and 1512(1512) Medium English: Oil on panel cyf
Painting ID::  98310 		Sebastiano del Piombo
Retrato de Ferry Carondelet con sus secretarios
between 1510(1510) and 1512(1512) Medium English: Oil on panel cyf
   
   
     
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     Sebastiano del Piombo
     1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.

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